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Apr 11, 2015

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PRESS EYES • Wall Street Journal


Elsa Peretti interview on Wall Street Journal, Jan 19, 2015
 by Christopher Ross, 
photo by Ian Sanderson. Read the full article here

May 21, 2014

FULL GALLOPP. A NIGHT AT THE THEATRE WITH ELSA

Invitation for a night at the theatre with Elsa Peretti

FULL GALLOPP
by Mark Hampton and Mary Louise Wilson
Featuring Carme Elias (as Diana Vreeland for the catalan version by Joan Sellent) 
Directed by Guido Torlonia
Diana Vreeland "La Divina". The story of a myth of the fashion world.
Teatro Akadèmia 
Buenos Aires, 47- 49 Barcelona
until May 25, 2014


Elsa Peretti, Midu, Xavier Corberó, Ricardo Bofill, Marta Vilallonga
Carme Elías, actress with Guido Torlonia, director 
Elsa Peretti party at Lo Spazio
and the wine ECCOCI, production of Elsa Peretti winery
 the event on LA VANGUARDIA May 8, by Josep Sandoval

(click pictures to enlarge)
(photos courtesy Carlos Martorell)





Apr 11, 2014

PRESS EYES: HARPER'S BAZAAR GERMANY


PRESS EYES

HARPER'S BAZAAR GERMANY
Mai 2014

Elsa Peretti
Vierzig Jahre sind seit ihrer Debutkollektion für Tiffany&Co.
vergangen, doc ihrer poetischen Kostbarkeiten
triumphieren uber die Zeit. Ihr Stil? Für die Ewigkeit

by Barbara Kraus





Nov 25, 2013

Oct 28, 2013

PRESS EYES: INTERIORS MAGAZINE








INTERIORS MAGAZINE USA
August September 2013

in Sant Martí Vell

text and photos by Benedetta Pignatelli

"Most people experiment with style one way—either in their look or their home. Those who give ardent attention to both probably have intimidated friends who never want to come over. To be extraordinary in appearance and interiors is to suffer a few unreturned phone calls. If self-awareness is trusted to take the lead, intrinsically we have a preference and we’re naturally gifted in only one area. This revelation leaves the ego somewhat banged up: I am more fashionable than my home versus My home is more attractive than I am. Disheartening, but imagine being terrible at both. The real, elated volt of suspense is in lining up the two, the aesthetic inside and out to glean an unofficial biography of everyone you know. Dresses like this but lives like that—it’s as much a surprise as it is an investigation. You think you know someone. These surface evaluations are deeper than they look. How we dress and how we live are among the only decisions we can make without permission. Two separate identities free from the autocratic parameters of work life (or love life), these are entirely your call. And they should feel like recess, like arts and crafts, like an unsupervised raid of every idea, color, whim, era and philosophy you’ve ever wanted to try. That is where Elsa Peretti lives. Our patron saint of individuality, the irrepressibly chic designer opened her very private home/studio in sun-soaked Catalonia to writer and photographer Benedetta Pignatelli and now, to us in Expo. Tracing over every object, her personal artifacts, the way she arranges her world is a fascinating dive into an all-consuming vision. And it’s a reminder that experimentation is not swapping in bright pillows, or bringing back French-rolled jeans. Those are transitory elements, the punctuation for peppering the tone; sometimes it snarls in heavy hardware or drifts off into beige. Laying down the raw, wild text and committing to it, that is authentic style."

Arianne Nardo
Editor-in-Chief Interiors Magazine


(click on images to enlarge)








Oct 7, 2013

VOGUEPEDIA









VOGUEPEDIA
The World of Fashion in Vogue
VOGUE USA

Elsa Peretti


(click on images to enlarge)



Oct 1, 2013

PRESS EYES: NEW YORK TIMES MAGAZINE


(click on image to enlarge)


NEW YORK TIMES MAGAZINE
May 2013

IT SEEMS LIKE YESTERDAY
by Harry Benson